Die Spitz Something to Consume Vinyl LP 2025
- Track Name
- Pop Punk Anthem (Sorry for the Delay)
- Voir Dire
- Throw Yourself to the Sword
- American Porn
- Sound to No One
- Go Get Dressed
- Red40
- RIDING WITH MY GIRLS
- Punishers
- Down on It
- a strange moon/selenophilia
When the Venn diagram of passion, friendship, identity, and artistry collide, it can feel as if fighting words are spitting from your veins. And as postmodern society crumbles, Die Spitz giddily bounce between a dozen di?erent ways to push back. If the world of rock music were an ice cream shop, the Austin quartet have sampled each flavor, flipped the freezer over, and started dancing with the employees they helped unionise.
On their debut album, Ava Schrobilgen, Chloe De St. Aubin, Ellie Livingston, and Kate Halter fight against the inescapable consumption that surrounds life.
“There’s a political side to it, but addiction and love can also be all-consuming,” Livingston says. And as the foursome trade o? instruments, swapping songwriting and vocal duties, and generating powerful songwriting in concussive bursts, Die Spitz have created their own little pocket of the world where we can all stand on the edge together.
Original: $34.84
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Description
- Track Name
- Pop Punk Anthem (Sorry for the Delay)
- Voir Dire
- Throw Yourself to the Sword
- American Porn
- Sound to No One
- Go Get Dressed
- Red40
- RIDING WITH MY GIRLS
- Punishers
- Down on It
- a strange moon/selenophilia
When the Venn diagram of passion, friendship, identity, and artistry collide, it can feel as if fighting words are spitting from your veins. And as postmodern society crumbles, Die Spitz giddily bounce between a dozen di?erent ways to push back. If the world of rock music were an ice cream shop, the Austin quartet have sampled each flavor, flipped the freezer over, and started dancing with the employees they helped unionise.
On their debut album, Ava Schrobilgen, Chloe De St. Aubin, Ellie Livingston, and Kate Halter fight against the inescapable consumption that surrounds life.
“There’s a political side to it, but addiction and love can also be all-consuming,” Livingston says. And as the foursome trade o? instruments, swapping songwriting and vocal duties, and generating powerful songwriting in concussive bursts, Die Spitz have created their own little pocket of the world where we can all stand on the edge together.
